The history of books became an acknowledged academic discipline in the 1980s. Contributors to the discipline include specialists from the fields of textual scholarship, codicology, bibliography, philology, palaeography, art history, social history and cultural history. Its key purpose is to demonstrate that the book as an object, not just the text contained within it, is a conduit of interaction between readers and words.
Prior to the evolution of the printing press, made famous by the Gutenberg Bible, each text was a unique handcrafted valuable article, personalized through the design features incorporated by the scribe, owner, bookbinder, and illustrator.[1] Analysis of each component part of the book reveals its purpose, where and how it was kept, who read it, ideological and religious beliefs of the period and whether readers interacted with the text within. Even a lack of evidence of this nature leaves valuable clues about the nature of that particular book.
The history of the book became an acknowledged academic discipline in the latter half of the 20th century. It was fostered by William Ivins Jr.‘s Prints and Visual Communication (1953) and Henri-Jean Martin and Lucien Febvre‘s L’apparition du livre (The Coming of the Book: The Impact of Printing, 1450–1800) in 1958 as well as Marshall McLuhan‘s Gutenberg Galaxy: The Making of Typographic Man (1962). Another notable pioneer in the History of the Book is Robert Darnton.[2]
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